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KOSHA,

Steeped
in layers.

Client:KOSHA Tea Atelier
Year:2025
Role:
Brand IdentityPackaging SystemArt Direction
KOSHA — hero

A tea atelier built on slowness — single-origin leaves that reveal themselves in layers.

KOSHA — the five koshas
From meaning to mark

Five sheaths became nested rings, then a single circle — a boundary quiet enough to hold everything within.

KOSHA — from meaning to mark
The system

Colour steeps like tea. Three earthen inks that deepen where they meet — depth from patience, not force.

KOSHA — colour systemKOSHA — five sheaths, five teas
In the hand

Every tea is one layer of the self — the same system, five expressions.

KOSHA — tin

Kraft paper, a matte lid, one steeped colour.

Every package carries the same layout — the serif wordmark, the कोश stamp, and a single translucent colour-field that names the variety without a label ever having to shout. The system holds across tins and pouches, so the whole range reads as one family on the shelf.

KOSHA — the range

A tea you uncover, not just drink.

KOSHA is a small-batch tea atelier built on the idea that tea is something you reveal in layers. The name comes from the Sanskrit kosha — a sheath, one of the five coverings the self is wrapped in, from the physical to the subtle. It runs through everything: single-origin leaves in small lots, steeped slowly, opening a little at a time.

The brief was quiet but hard. Premium tea is a crowded shelf of two clichés — heritage gold-and-maroon that looks like everyone else, or minimal apothecary white that says nothing at all. KOSHA needed to feel rooted in a genuine idea and modern enough to sit in a design-led kitchen, without leaning on either stereotype.

The philosophy gave us the whole system. Five sheaths reduce to nested rings, and nested rings reduce to a single circle — the roundel that holds the name in Devanagari at its centre, rooted and complete. It is the mark, and it is also the argument: a boundary that makes room for what’s within.

Colour carries the meaning the way steeping does. Three earthen inks — tea green, rust and amber-gold — layer and deepen where they overlap, so each variety gets its own tone and the blends between them feel inevitable rather than decorative. Every tea maps to a kosha: a grounding black for the body, a clarifying green for the breath, a calming chamomile for the mind. The concept becomes the range.

The result is packaging that behaves like the tea inside it — patient, layered, and honest about where it comes from. Nothing forced. Depth from patience, presence, and the right blend.